Alphabet Soup – iPod by the Letters (B)

Ok, so it’s another fluff piece.  You caught me. 

Still, I had it lying around so I thought I’d just share it with you. 

 

B Movie – Nowhere Girl.  Haunting 80s classic.

B.o.B. – Yeah, I’m hip.  I know it.  Honestly, though, it’s Hayley Williams’ voice on “Airplanes” that gets me.

The Babys – John Waite.  Need I say more?  Yes?  Ok, how about some rock and roll goodness?  There.

Bad English – John Waite.  Need I say more?  Wait…didn’t we just do this?  Actually, “When I See You Smile” was Bad English’s only good song as far as I’m concerned.

The Beach Boys – I started listening to The Beach Boys as a kid, on vinyl.  Nobody will ever be as good.   Sunshine, surfing, girls and cars.  Nope…nobody will ever be as good.

They had it all

The Beastie Boys – Hands down, my favorite rap group of all time.  They’ve got style.  And my favorite album of theirs isn’t even a rap album.  Check out “The In Sound From Way Out!”  You’ll get a whole new appreciation of the Boys.  So what’cha, what’cha, what’cha want?

Beat Down Sound – From the soundtrack album “The September Sessions”.  Surf movie.  Surf music.  Just plain goodness.

The Beatles – Believe the hype.  If you don’t love The Beatles, ask yourself why.  Really, do it.  There is a very specific reason they are so revered.  Only egos get in the way.  Just ask Paul.  Or Yoko.  Well, maybe not Yoko.

Beck – Odelay!  Really, I only have two songs.  I just like saying Odelay!

Bee Gees – If I have to ask you not to judge me all the time how can we build this relationship?  Seriously.  Don’t judge.  And if you must, judge my parents.  They forced me.  Of course, now I admit to liking the Bee Gees, but…uh…next artist then?  Splendid!

Bela Fleck and the Flecktones – Fusion.  Who doesn’t love a banjo.  Well, ok…maybe Burt Reynolds and company don’t like banjos.  But I’m sure everyone else does.

Ben Harper – Amazingly talented artist.  “Live at Twist & Shout” is one of my favorite albums ever.  Plus, we’re both from Claremont, so there.  Check out the Claremont Folk Music Center.

In the colors

Beyonce – Hey, I can shake it too.  No, really.  I can.  It ain’t pretty, but I can do it.  Her music just makes me want to dance.  Heck, I’ll pump up “Crazy in Love” as loud as possible and dance alone in the hallway right now.  I will…

BigBang – These guys performed live at my wife’s university and we got their album.  They are a modern day Cream.  Pretty good stuff.

Bill Withers – Legend.  I don’t have any words that really convey what the voice does to me when I hear it.  You’ll just have to find out for yourself.  And I really wish you would.  If more people listened to Bill Withers, the world would be a happier place.

Billy Idol – Dancing with Myself.  No, actually I was.  I was listening to Beyonce and I was in the hallway.  I told you I would.  I like Billy Idol too.

Billy Joel – The Piano Man.  Find a documentary called “The Last Play at Shea” and watch it.  Very moving.  And then, go out and get every Billy Joel album you can get your hands on and listen to them over and over and over again.  His music just might change your life.

Billy Vera and the Beaters – At This Moment.  Love.  Lost.

Bim Skala Bim – Great ska band.  Ska is good.  Bim Skala Bim is gooder.

Biz MarkieGirl, you got what I neeeeeed. But you say he’s just a friend.  You say he’s just a friend.  Oh baby…YOOOOUUUUUU…..

Black Eyed Peas – Where is the love I ask you?

The Black Keys – The Black Keys sound like they’ve been around forever.  And they haven’t.  New band.  Old souls.  Well, they’ve been around for a few years anyway…but still.  You get the point.

Black Sheep – I actually hate they used Black Sheep for that stoopid Kia commercial.  The song “The Choice is Yours” was cool until I heard it a million times every commercial break during a baseball game.

Black Uhuru – Guess who’s coming to dinner?  That’s right, natty dread locks.

Blessid Union of Souls – I Believe.  Who doesn’t love songs of hope?

Blind Faith – Can’t Find My Way Home.  Well, I mean I can.  I mean I am home.  That’s the name of the song…nevermind.  What happens when you mix Stevie Winwood, Ginger Baker and the great Eric Clapton?  You have Blind Faith, that’s what you have.  Can you say super group?

Super. Group.

Blind Melon – Not a super group.  No Rain…eh.  My personal favorite is Change.  No bee girls for that one.

Blink-182 – What’s My Age Again?  No, seriously…I’m asking.

Blood, Sweat & Tears – I don’t think people really understand how influential Blood, Sweat & Tears continue to be.  They were power R&B at its best, and fusion when fusion was only done in smoky jazz clubs.

Bob Dylan – I think Bob would be the first person to tell you he’s not a great singer or musician.  That’s not the point.  He is a voice.  And he emerged at a time when people couldn’t find their own.  He is a poet.  One of the greatest.  And one of my lyrical inspirations.

Bob Marley – I could write volumes on Bob Marley.  I have every original album.  Suffice it to say, I was drawn to his music as a teenager when Southern California was engulfed in the firestorm that was the emergence of gangsta rap.  I can’t relate to gangsta rap.  Everyone can relate to Bob.

Bob Seger – “I woke last night to the sound of thunder.  How far off I sat and wondered.  Started humming a song from Nineteen Sixty Two.  Ain’t it funny how the night moves?  When you just don’t seem to have as much to lose.  Strange how the night moves.  With autumn closing in.”  ~ May be my favorite lyric ever.  100% Rock.  100% Roll.  Thank you.

Bobby McFerrin – Don’t worry.  Be happy.  !@^*?$#!.  Maybe I should delete this one.

Bon Jovi – I don’t know what to say about guys with long, feathered hair and tights.  Except, they make better music than the same guys with short hair and denim.  Strange.

Boogie Down Productions – The first “free-will” choices I made as a teenager with regard to music were three groups.   BDP was one of those.  I haven’t listened to anything past the first two albums.  But man, those first two albums.

Brad Paisley – I don’t like everything he does, but what I like I love.  Make sense?

The Bravery – This band has set themselves apart from the sea of groups that are all making the same song.

Breaking Benjamin – When you need a little loud while you’re working out.

The Brian Setzer Orchestra – Swing!  Brian Setzer proves time and again that certain eras are better than others.  Each year we move forward isn’t necessarily progress.

Bruno Mars – The music is infectious.  Sometimes each year we move forward is progress.  “Liquor Store Blues” has helped bring roots reggae into the modern era.  The other songs are good too.

Bryan Adams – I think this is some of the best rock and roll ever.  Seriously.  Guys like Bryan are rare nowadays.

Buena Vista Social Club – I have never heard a more engaging, thought provoking or emotional collection of jazz ever.  This album is on my list of five if I’m ever stranded on an island.  Hopefully it’s a Caribbean island…

Classic

Bullet for My Valentine – I have a few songs that get mixed in with the rest when I’m in the mood for someone yelling at me.

Bush – I’ve got to be honest, I don’t know what glycerine is.  Good song though.  I like Bush, I like No Doubt.  I don’t like them together.  It’s just not the same, if you know what I’m saying.

Freedom to Find Adventure

What do you do when an incredibly talented singer/songwriter asks you to be in his music video?  You do it, of course!  Thanks to the passion and love my wife has for great music, we spent an awesome day in Venice Beach on yet another adventure.

Venice Beach

Ok…let me give you full disclosure.  It wasn’t like Tyrone Wells called us up and said “Hey guys, we haven’t talked in a while, how about you come down to Venice and hang with me?  Oh, and want to be in my music video?”

No, it didn’t happen like that.  My beautiful wife is a big fan of Tyrone’s and follows him on Facebook.  They were looking for fans to come out and be a part of his video for the song “Freedom”.  The call went out to all his fans.  Still, we answered the call.

Fans gathering on a gorgeous SoCal day

And so did about forty or so other fans.  It was great!  We got there early, met with the producer, filled out our “If some nut job from the boardwalk steps on you we’re not responsible” form (A.K.A. a liability waiver).  We waited, and then we gathered and received our instructions.

Playback

I don’t want to give anything away.  Once the video is up, I’ll repost it so you can see our fine work as extras.  We had to learn clapping.  Seriously, it was work people.

We met fellow music lovers, had a great afternoon in the sun at the beach, hung out with a talented artist, we got his autograph and a picture.  What more could you want for a Saturday afternoon?

Tyrone Wells

If you haven’t heard of Tyrone Wells, I very highly recommend getting an album (or all of them).  His song “More” was featured at the end of American Idol last week.  Pretty cool.  And even though he has some great success, he’s still an independent artist.  It’s great to support that. Even better, find out when he might be playing in your area and go see him live.  You’ll be glad you did.

FYI…I’m the short guy on the right.

Hey, my wife and I are all about the micro-adventure!  We’ve done so many, just thinking about them has gotten me all nostalgic.  All it takes is the effort to get up and get moving.  The freedom to find adventure!  Saturday was “planned spontaneity”, meaning we found out about it Thursday afternoon and scheduled it for Saturday.  Pretty good, right?

Another great adventure!

We had to drive a ways to do it, but the memory will last a lifetime.  Plus, who knows?  Maybe you’ll see our faces in the video and be forever immortalized in music history…

Ha ha ha, I doubt it too.

But we can dream right?

Alphabet Soup – iPod by the Letters (A)

Let me be honest, this is a fluff piece.  An exercise in writing more than anything else.  I have this fear that releasing such material into the world is probably not a good idea, but I have done it nonetheless.

(A long pause)

Nope, so far don’t feel any different.  Of course, it will come back to haunt me years from now but what can I do?  Zilch…

Why the jumbled thoughts and ramblings?  Because I’m a mess, if I’m still being honest.  I’ve started at least two different pieces on the stage of my mind and let me tell you, it’s not pretty.  Not pretty at all.  I won’t go into details, it would be like…like…well it would be like starting a third piece.  Me – 3.0.

So instead I’ll write a fluff piece and hope I can wrap my head around something else for a while and still manage to be mildly entertaining.  That there are only three of you out there is of some comfort.  Some.

So…What’s The Fluff (WTF)?  I have decided to tackle that most pressing of issues, my thoughts on my iPod, in alphabetical order by artist.  I know, I know…you were wondering when I would get around to it.  Well, I have.  Here goes letter A;

AC/DC - Hells Bells may be the greatest start to an album ever.

The Academy Is…  – Part of my emo collection.  When I need something different.

Adam Ant – Hulllooo…I was born a while ago.  I lived the 80s, sometimes it’s nice to visit.

Adam Sandler - Hanukkah song, the Wedding Singer song, and Forgetful Lucy.  Makes me laugh.

Adele – Is this really a surprise?  She’s EVERYWHERE…

AFI – Miss Murder.  And only Miss Murder.  Don’t even know if I heard anything else.

Agent Orange – Favorite surf/skate/punk band.  I have memories of old Vision skate videos…

Two versions of a song called Bloodstains. Rocking!

The Airborne Toxic Event – Fun. Not a go to, but still fun.  I only have one song, but I like more.

Alan Jackson – I either like what he sings or I don’t.  No middle ground.  Again, one song.

Alison Krauss & Union Station – There is a HUGE difference between bluegrass and country.  Bluegrass, good.  Alison Krauss…very good.

She could sing me the tax code and I'd be happy

The All-American Rejects – I don’t know what to say.  Seriously.  I’m at a loss.

Ambrosia – Don’t judge me.  Really, don’t.  If you grew up in my house you’d like this too.

America – Folk, acoustic.  First song I learned on the guitar was Horse with No Name. Of course, it’s only two chords.  But still.

Amy Winehouse – One song.  Rehab.  At the time it was a novelty.  Probably haven’t hit play on this one since it came out.  I’m sure my opinions are in the minority, so I’ll leave it at that.

Angels & Airwaves – Not frequently played, but a worthy standby if I’m feeling 15.

Animal Liberation Orchestra – Two words.  Zach Gill.  I like him better with Jack Johnson, but his voice is pretty cool.  Laid back style.

The Animals – House of the Rising Sun.  Who doesn’t love a song about a whorehouse?  Just kidding.  I mean, that is what the song is about but what I meant…nevermind. Do you know who wrote this song?  Interesting history, actually.  Well, to me anyway.

This man was the blues. And so much more. Look him up, please. We'll talk more later.

Anna Nalick – Local girl makes good.  I like that.

Anti-Flag – Not even sure what this sounds like.  Guess I’ll have to revisit.  But not right now.

The Ataris – Boys of Summer remake.  Heck Yeah!

Audioslave – Great pairing of a funky band with the dramatic voice of Chris Cornell.

Chris Cornell. End of Discussion.

Augustana – Boston.  Sorry, that’s it.  I don’t have anything else.

I would have thought Apple would have taught the iPod to recognize Alan Jackson should be filed under J and not under A.  Same with the others, but what do I know?  Probably just my intense need for order within the chaos.  Did you see one in here you liked?  One you hated?  Are you judging me even though I asked you not to?  Ha ha ha…I thought so.  Didn’t I start this blog by telling you my mind was a mess?  It’s okay, I’m secure with my choices anyway.  And I know you’re rocking a guilty pleasure too.

I’m a Little Bit Rock and Roll…

Once again it’s been a while since I’ve posted anything…well, anything about music.  It is actually quite surprising considering the 2011 I had, musically speaking of course.   It was a year filled with crazy adventures, great music, not so great music, amazing friends and a wonderful return to my favorite venue, The Hollywood Bowl.

But I digress, as I sit and write my thoughts continue to stray back to the first live show I can remember.  Do you remember yours?  Did it have a lasting impact?  I can undeniably claim that my first memory of a live musical performance (that I wasn’t in, of course…but that story is for another time) begins in the summer time.  But it did not have a lasting impact, other than to say that I remember it.  It was mid-nineteen eighties, though I don’t recall the exact year.  Lasting impact, ha!  I was but a lad, and visiting my cousin Kim who lived at the time in Bloomington, Illinois.  Ahhh, yes.  Illinois.

In my youth I spent two weeks every summer visiting family in Illinois.  One week with my maternal grandmother in Galesburg, and one week with my cousin Kim in Bloomington.  Kim is a year or so older than I, but growing up we were very close even though we lived twelve hundred miles apart.  I have many, many fond memories of my time in Illinois as a young boy, but alas I digress yet again.

The first live performance?  Yes, yes…I remember.  Klymaxx, that soulful eighties all girl band.  At the Illinois State Fair in Springfield.   What can I say?  I’m not their demographic.  It was summer, the air was warm, the sweet smell of something gooey and fried hung on the air.  I was at a state fair, of all places.  Not exactly sneaking over the wall as a teenager to catch a Led Zeppelin show my parents forbade me to see.  Nope, no such adventurous tales for me…

And so, my journey to the ultimate rock concert took the better part of thirty years.  A journey that led me down the road of some amazing shows with incredible stories and lasting memories.  Years of reggae concerts; of seeing legends a little past their prime; of seeing legends considerably past their prime.  A pop/rock concert or two.  I was asked recently if I’ve seen a lot of shows, and the answer is yes.  But that ultimate rock concert had eluded me until only recently.   And I waded my way through a spring of country music to get there…

Here in California, we have a number of festivals that offer an aficionado’s ear a delectable variety of music.  Which is to say there is something for everyone.  In 2011, that something for my wife was the Stagecoach country music festival in Indio.  A two day, artist packed weekend that would be sure to delight the big hat, pointy boot wearing fan for miles and miles.  I was a little skeptical.

I grew up on Merle Haggard, Kenny Rogers and Barbara Mandrel.  My first guitar was black because I’m a huge Johnny Cash fan.  I can sing along with Alabama, and The Oak Ridge Boys or Ronnie Milsap.  But to say that I’m a country fan would be misleading.  I’m not.  Being stuck in the back seat while your parents tuned the radio to Dolly Parton doesn’t qualify me as a fan.  It is a part of me, but I’m a little bit rock and roll…

But the times they are a changin’.  Partly due to Kenny Chesney, if I’m being honest.  That man has a pretty darn good thing going, and if you need a soundtrack for your summer he’s got it.  I’m only a mild fan of Jimmy Buffet, but I’m becoming a huge fan of Kenny Chesney.  Sometimes he’s a little on the rowdy side, but I sure do love his music.  Tap your feet, crack a cold one, head down to the beach and put your toes in the sand.  Yeah, I’m there…

So when he was listed as one of the headliners for the festival, I eagerly agreed to go.  Joining us would be our dear friends Matt and Ky.  Now, along with my wife, Matt and Ky are huge country music fans.  Big hats, big buckles, those pointy shoes again…

I arranged a hotel for the four of us (dudes in one room, chicks in another…like camp all over again) and I drove us all down Friday night, getting a little lost on the way but finding the hotel after I finally admitted that everyone in the car but me knew where they were going.  We settled, had dinner and went lights out only after a great night of hanging out and talking.

Stagecoach is a festival.  On a huge field.  In the desert of California.  What you are reading right now (though the words may look a little different) is huge crowds, traffic, lots of waiting, hot, windy, blah blah, huge crowds.  Welcome to a two-day hee-haw!

Everyone was dressed so much alike that I had a little trouble distinguishing the crowd.  Even I got into the spirit of the event and bought a big hat (though I stuck to my guns and wore my usual uniform of t-shirt, shorts and flip-flops).  To be honest, with so much western wear I was a little disappointed to not see any cattle.  And then we were let into the gates, and my desire to see cattle emerged before my very eyes.  Can you say cut-off denim and bikini tops?  I knew that you could…

Modesty has its place in the world, but apparently not at Stagecoach.

They did have music, though, and plenty of it.  From Saturday, my favorites were The Cleverly Trio.  They may have been my favorites from the entire weekend.  From the very beginning you know these guys have shaken something loose just by the name.  The Cleverly Trio.  There’s five of them.  And they are HILARIOUS.  They covered Cee-Lo Green’s “Forget You”, Beyonce’s “Single Ladies (Put a Ring On It)” among other current hits.  In their twangy bluegrass, they were a definite highlight for me.  They had the crowd hollerin’ and clapping and laughing.  Absolutely good stuff.

Now, Saturday had Steel Magnolia and Chris Young on the main stage as well.  I enjoyed both shows.  Recognized a tune or two.  We watched from within the mob.  A lot of sun burns and red solo cups.  As the day wore on, our tolerance for the mob became less and less.  It seemed to many that the music was secondary for their reason for being there.  A shame, too.

But, we managed.  Darius Rucker played just as the sun was setting and the night began to cool what had been a weather beaten day.  He sounded incredible, had a great rapport with the audience, and of course had more than a few hits to entertain the crowd with.   We enjoyed every minute and sang along with every song.  The Hootie hits included.

Great Friends & Big Hats

But the day had been long, and the crowd (most notably the group directly in front of us) was growing increasingly rowdy.  Sitting on a lawn in the middle of the mob isn’t my idea of a good time.  Our energy and enthusiasm began to wane.  We stayed put for the beginning of Kenny Chesney’s set, but a song or two in we made for the exit.  It took some time, and we stopped more than once to hear a favorite song and sing along.  An hour or so into his set we had positioned ourselves close to the exit and after agreeing we had heard nearly every song we had wished to, we bid the legions adieu and retired to our hotel.  I will say this about Kenny Chesney, he sounded amazing.  But I will also say that he did not live up to the hype from those I’ve heard speak of his shows, and coupled with our disdain for the crowd I would have to say his time on stage was a bit disappointing.  I will leave total judgment open for an opportunity to see him again.

Day two?  Sure, much of the same.  A lot of photographs of, well…I’ll be kind.  Let’s just say we took a lot of photographs and were quite entertained and amused.  We watched Josh Turner and Easton Corbin on the main stage and a few bands on the side stages that were…eh.  It was clear the festival crowd was not for us.  We aren’t big drinkers and that seems to be the pre-requisite for such an event.

Carrie Underwood was the highlight of Sunday.  She looked amazing (from nearly the back row where we chose to sit and avoid the mob), and she sounded incredible as well.  A little love, a little tenderness, a little rock and roll.  Walk This Way?  Uh-huh…she did.  I’m not afraid to say that I think this girl is something special anyway and her time on stage only affirmed that notion.

By the time Rascal Flatts came out on stage, our weekend was over.  Sun dried, wind blown, a little too much of the hedonistic party crowd.  Yeah, I’m not a prude but sheesh…leave SOMETHING to the imagination.  If only a little something…

So based on my experience with the rowdy country crowd at a two day festival, you can imagine my reluctance to get too excited about our tickets to see the Zac Brown Band two weeks later.  Was I to expect a repeat of the wily ways of the big hats?  A little liquid courage, a Saturday night, an oversized buckle or two?  What was I to expect?

Well, the venue held me in check and the memories of Stagecoach soon became short and faded, much like the itty-bitty shorn blue jeans of many a dude or two. 

Hold him closer, tiny Wranglers…

I think these were the athletic fit...

The venue for Zac Brown Band?  The Hollywood Bowl.  Probably my favorite place to see a concert.  And yet, I’ve only seen two artists there.  John Mayer (twice), and now Zac Brown.  But the venue is something special for sure.  We take a bus from close to home so there’s no dealing with parking, the seats are great for the price (though I think most concerts are too spendy) and the atmosphere really puts you in a mood to enjoy whatever show you’re there to enjoy.

World Famous Hollywood Bowl

The Zac Brown Band did not disappoint.  I put his music on par with Kenny Chesney as my favorite in country music.  Probably even a little better than that.  It has legs and depth.  The music takes you places.  And for me, anyone who sings about the Stars and Stripes and freedom in a song and visits the troops as he has done is aces in my book.  He’d have to do an awful lot for me to turn my back on him now…

His band is a no frills kind of band, in the sense that he just wants to entertain you.  No high drama, no flashy light show.  Zac and the band just walked out on stage and started playing.  Good, good music.  All of the hits, a bunch of the new stuff.  He weaved a tale from here to there by mixing a melody of Where the Boat Leaves From with Van Morrison’s Crazy Love to Kenny Rogers’ Islands in the Stream and back to Where the Boat Leaves From.  It was the first of two samples of Van Morrison, as the encore included a melody of Free with VM’s Into the Mystic.  Have I ever told you that Van Morrison’s Moondance album is in my top five of all time?  Another day then…

He gave us a little bit of everything.  The Devil Went Down to Georgia?  Sure, why not?  A little Tom Petty’s Won’t Back Down during the encore?   Uh, huh…it was there.  My absolute favorite of the night?  A full version of America the Beautiful before beautifully bridging his way into Chicken Fried.  I get goose bumps even now as I write this.  I’m a sucker for baseball, apple pie and America the Beautiful…

May be one of the best shows I’ve ever seen.  The crowd was awesome, the music was engaging and fun and incredible.  My favorite venue.  Sharing the whole experience with my beautiful bride made the night perfect and an experience I’ll never forget.

And yet, just days after the show I already had my heart set on a day five months to the day in the distance.  At another venue I’ve been before.  To see another show.  Another concert.  Anticipation grew as the country spring I was experiencing became a warm and lazy summer.  That elusive ticket was nearly in my grasp…

My brother was heavy metal growing up.  Long hair, puffy shirts, tight pants.  THE LOOK.  But to some degree he lived the life, too.  Nights on Sunset in the clubs seeing the bands.  Going to the stadiums to see the shows.  My brother was that guy out there doing it.  It wasn’t until years later that I wished that I had done it too.

I’ve run into people who tell me the stories of their first show.  Teenagers hopping fences.  Friends piled into cars and going on road trips.  I met a kid who spent a summer following the Grateful Dead!  Not someone who grew up with the band, but someone who wanted the experience…I’ve been in awe of many of these stories.  Sometimes I feel my musical journey has been less than exciting or adventurous.

Until October 14th.  The Foo Fighters @ The Great Western Forum.  Home of the Showtime Lakers.  Now a church and concert venue.  A concert venue for one of the greatest rock bands of this generation.  Of all time?  You could argue that.  Some might disagree.  Hey, you might disagree.  But this is my story…

Sometimes you're having too good a time to take a really good picture...

Just me, my best friend and eighteen thousand of our closest friends.   It was hot, the crowd was a mix of young and old.  Mostly young.  Long hair, short hair, no hair.  Rockers and Dockers.  But the energy was electric!  You could just feel that we were all here for one purpose.  It was a following…

Cage the Elephant opened.  They played one song, and the reverb coming off of the walls was so loud that you really could only get sense of the beat and rhythm and not really of the words being sung.  Or in the case of lead singer Matthew Schultz, you couldn’t really tell what he was screaming.  Did I care?  Uh…not one bit.  My ears were ringing, the music was super loud, everyone was shaking like Edison had plugged us in.  The song was over, and Shultz begins telling a story of how their regular drummer had to have an emergency appendectomy, and they would like to bring out a guest drummer if that was ok.  Was it ok?  Sure, what do I care what you….huh?  Is that?  It is! It is!  The crowd goes BEZERK!

Dave Grohl steps to the stage, gives Shultz a hug, waves to the crowd and takes his place behind the kit.  At forty-something, Grohl hasn’t missed a step.  It was like watching old video of Nirvana being replayed to different music.  The hair flew, the kit shook, the arms rose and fell with speed and fury.  The beat coursed through us like a blacksmiths’ hammer.  I didn’t know the songs well, but I soaked in everything.  It was one hell of way to begin the show…

The Foo Fighters.  Their most recent album, Wasting Light was recorded live on tape, in Dave Grohl’s garage.  Old school style.  You can tell it’s something special.  You can sense this band remembers the days when the vinyl used to crackle when you’d spin the latest from Jimi, Plant and Paige or Mick and the boys.  You can tell.

I stood the entire night.  Grohl announced that we had better settle ourselves in because this wasn’t going to be an ordinary show.  And it wasn’t.  They played for three hours.  Every hit.  Every riff.  The screaming, the pointing to the crowd.  The jumping up and down.  For three hours it was musical nirvana, the enlightenment of releasing anything you had in your thoughts and letting the music transport you.  And in the end, you feel alive and new…

The stage had a runway and Grohl used it with aplomb.  The entire set felt interactive.  We were a part of the show.  A part of the music.  A part of the journey.  This only became more so when the band disappeared and Grohl appeared alone, on a rising cone with his acoustic guitar and a microphone.  In the middle of the floor crowd.  He rocked every song he played.  One man giving everything he had, heart and soul, to every chord and every word.  Eighteen thousand fans rapt.  It was a following…

I could probably write for days.  Of the energy, of Grohl’s weird Prince story, of the Tom Petty cover Breakdown, the encore.  I could sit here and press play on my iTunes and relive each moment.  But I think I’ve done enough for one day.  Maybe too much.  It’s worth every moment to get out there.  If only once.  Hopefully more.  Much more.  But still, you have to get out there.  What was that dream you were telling me about?  Yeah…go do it.  Find a way.

Just because life got in the way doesn’t mean that dream moved on.  It’s still there.  Waiting for you.  What are you afraid of?  That it actually is still there?  That it will happen?  Me too, once.  Until that one night, nearly my fourth decade in life, when I became that teenager who hopped the fence and went to see that show my parents forbade me to see.

Chris Pierce, Live at 72 North ~ May 21, 2010

“This is such a beautiful place to make music…”

Chris Pierce

To make music, indeed.  I heard these words spoken by a man who conjures soulful music from a place deep inside and releases it into the universe for all to enjoy.  It is a wonder to see.

My wife and I were invited by very close friends to enjoy dinner out on Friday night, and it was an invitation we were very much looking forward to.  Our busy lives prevented us from getting together too early, but by 7:30 we were on the road and headed toward Pasadena for a night on the town.  The company was fantastic, and the short ride was filled with laughter and great conversation, only to be continued at the dinner table.  After we had had our fill the four of us piled back into the car with no destination in mind, and by fate or luck we found ourselves eagerly anticipating a night of music.

If you have read this blog before (and I know you haven’t), you may have discovered that I love live music.  Music is intoxicating, weaving its way into our heart and soul and stamping a lasting impression onto our lives.  Like ancient mariners before me, I am vulnerable to the Siren, becoming a helpless slave to the mistress that is music.  It is a weakness of which I have no shame.

But I digress, so let me start from the beginning.  A few years ago I created a MySpace page as a fun side project for Morton Design Works.  I found it interesting, but networking sites aren’t really my cup of tea and at first it was a challenge.  I noticed almost immediately, however, that MySpace is GREAT for finding new music.  As it were, I have discovered (for myself) a bunch of talented singers, songwriters, and bands that I may not have discovered otherwise.  One such artist was Chris Pierce.

But I don’t want to mislead you…I have a history with Mr. Pierce.  We knew each other as kids, and as young adults in high school.  We were friends on some level, but had never formed any lasting bond.  After high school I left, and didn’t look back.  Until MySpace.

I was impressed and actually excited to see him doing what he does best, sing.  He has gotten incredible reviews, performed with some unbelievable names in music and seems to be making a living doing what he loves.  PLUS…he is a Claremont guy (school, anyway) so I gotta support him.

I reconnected with him on Facebook (a network site more my speed), and have followed him ever since.  WELL…as my wife will attest I probably spend too much time on FB, and as such I noticed Chris’ post that he was going to be in Pasadena on Friday night performing an acoustic set at 72 North.  So when our group of four found ourselves with no destination after dinner, I suggested we go see Chris.  Thanks to my wife, Carrie and Bobby for humoring me…

72 North has an outdoor courtyard with tables and chairs; a charming venue for a man and his guitar.  Though the night was a little chilly, the atmosphere was perfect.  Not long before his set was to begin I recognized the tall, smooth cat come strolling in, guitar in hand.  It’s almost surreal to see someone after twenty years and instantly recognize them.  By chance, he sat behind me as he waited for his time to begin.

I introduced myself, nervous after so long that he would even remember me.  He did, and I was fortunate enough for him to share a few moments before he was to start.  We briefly caught up, I introduced my wife and friends and then it was time.

Chris set up his guitar, plugged in, tuned up and relaxed himself in his chair in front of the microphone.  That is when he expressed what a beautiful place the courtyard was to make music.  To make music.  To me the words meant something, and his warmth and generosity seemed to wash over the courtyard.  He wasn’t going to perform for us, he wasn’t going to sing.  This man was going to make something for us.  Make music.

From each note he poured from his electric/acoustic guitar to the harmony he unveiled from his lips, he made music.  He rocked in his chair, bellowing the love and pain that was in his heart with each breath he took.  With his strong voice he filled the brisk night air with energy, and emotion.  I was, and am, in awe.

Chris Pierce seems to live each second as if it means more than the last.  His music is borne from rhythm and blues, made on the porch or in the saloon where love is often found and more often lost.  His voiced is filled with hope and pride, but also betrays a sense of innocence lost.  An awakening.  An appreciation.  It is beautiful when he makes music.  A number of the songs felt like jams, his bluesy riffs and scatting taking the listener back to the old world when music was made on instinct.  At one point he pulled his harmonica from inside his coat, adding another dimension to a man and his guitar.  The crescendo wail of the tiny instrument seemed to feed off the vitality that was life at that moment.  Nothing more, nothing less.

And before we knew it, he was done.

He had made music, and left us all feeling better because of it.  The sound of his voice resonated for the rest of the night, a memory forever stamped onto my life.  But it left me wanting more.  The kind of want you feel without guilt or remorse.  The kind of want you feel everyone deserves.  Music is a healing, when it’s made right.

Our paths crossed for one night, and it was a blessing.  Maybe they are meant to cross again, who knows.  I’ll let fate or luck determine that.  But if only in the shadows of a club or the turn of a cd, I hope to reconnect with my old friend soon.

(connect with Chris Pierce & listen for yourself…goto www.ChrisPierce.com for more details)

Colbie Caillat at the Grove of Anaheim ~ 2/06/08

(originally posted on MySpace on February 7, 2008)

Colbie Caillat at the Grove of Anaheim ~ 2/06/08  

It seems like forever since I have been to a show, so Wednesday night was a refreshing and very welcome event to look forward to.  For a few reasons.  My wife and I have never been to the Grove of Anaheim before, we have never seen Colbie Caillat in concert before, and we have never been to a show with our twin girls.  A milestone in our house, to be sure. 

 For those of you reading this (and I doubt there is anyone), please forgive me as I take a bit of time to provide some background on my expectations for the evening.  Not that I am any musical pioneer, but I have been listening and following Colbie for some time.  It wasn’t long after I was introduced to both the realm of MySpace and the music of Tyrone Wells that I began foraging the plains of opportunity for new music.  I found Colbie online as a friend of a friend (or however that works) and was immediately taken with her sound.  At the time she didn’t yet have an album, but the few songs she did have on MySpace were worth visiting time and again.  It wasn’t too long after that Bubbly became a hit single, and the entire album was released.  The three ladies in my house (whom if I didn’t know better were actually triplets) were soon listening to her album on their own and becoming big fans.  So, it was with joy that my wife called me a few months ago to say that she had purchased tickets for the four of us to see Colbie in Anaheim.

 Being an adopted southern California native, the city of Anaheim has always been an oft visited destination for entertainment.  It is host to the world champion Angels baseball team, the world champion Ducks hockey team, a former host of the Rams football team, and of course…Disneyland.  Knowing the show was at the Grove of Anaheim, I was familiar with the location having driven past it a million times.  But, I’ve never been inside.  The doors were to open at seven, with the show starting at eight.  It being a weeknight, and considering work traffic and the kid’s schoolwork, we planned to arrive shortly before seven.  When we arrived we were loathed to find a long line forming out into the parking lot on what was a brisk California evening.  But, what would a little fun be without fifteen minutes of cold misery waiting in line?  Once in, the venue itself is larger than I had expected, with tiered flooring, and filling up quick. 

 The opening act was Trevor Hall and his percussionist, Chris Steele.  I wouldn’t say the sound on the vocals was perfect, as I didn’t figure out the names until today when doing a little research online.  HOWEVER, the music was excellent.  Eclectic, reggae infused acoustic guitar rhythms, a quirky voice, an organic mix of tribal like chants, singing and talking (not really rapping, not really singing) and a thundering accompaniment from the percussionist’s Cajon.  Now on a side note, the Cajon is fast becoming one of my favorite instruments ever.  Mark Chiapello uses one, and the sound is beyond compare.  So, to see this act using one was great!  And the percussionist really worked it.  The percussion was both bass line and drums, and really set the tone for the artist’s set.  Trevor’s lyrics and sound are great and in many ways unique, but lack some emotional connection.  However, the combination of Trevor’s voice and guitar with that of the percussion makes the act something special indeed.  I often hate comparisons, but couldn’t help making one with Trevor and Eddie Vedder.  But more emotional than Eddie.  I know, I know.  I just got done saying he lacks an emotional connection.  Eddie Vedder’s voice is mostly mono-tone, whereas Trevor Hall’s voice is an array of peaks and valleys.  This adds more emotion to the sound, but doesn’t necessarily have an emotional impact.  When the boom-boom of the Cajon kicks in, the peaks and valleys start to mean something.  The chanting starts to add to the organic feel to the whole arrangement.  Anyway, the song Ghosts and Chris Steele’s percussive solo were the highlights of the set for me.  The great thing about opening acts is the exploration for the audience.  I would love to see this guy in concert again.

 After a brief waiting period of watching the sound technicians do their thing onstage, the lights dimmed for the headliner.  Dressed in a short summer dress and with a flower in her hair, Colbie emerged from backstage and started the set with Oxygen.  She looked fantastic, and sounded radio perfect (forgiving the sins of the sound booth).  Her band consisted of keyboards, drums, bass and lead and rhythm guitars.  And although she plays the guitar herself, she spent almost the entire set up front with just the microphone in hand. 

There are a couple of key points that I would like to make.  First, this is a completely different musical experience than I am used to.  This is a female headliner, singing mostly love songs.  My point being that this isn’t a rocking out, party type of atmosphere.  She rocks, for sure, but it is different.  Not less, just different.  Second, this isn’t teeny-bopper, all looks and no brains, MTV, who is my boyfriend this minute, kinda female headliner, either.  To point that she looks fantastic is important.  She does.  She looks beautiful, take her home to meet your Nana, she has a ton of class, fantastic.  And the sound is real.  The lyrics are heartfelt, and her performance really makes you feel the same way she does about whatever it is she is singing about. Gitit?  The reason she sold-out this show was pretty obvious.  Her music is infectious, and fun to sing along with, guy or girl.  I know this, because of the small group of teenagers standing directly in front of us (four boys and two girls); the boys were doing as much of the singing along as the girls were.  And having a great time, too.  Oh, yea, and I was also. The themes of her music are universal, and she sings in a way that immediately makes that emotional connection that is so important. 

She is pretty stinking cool, too.  She covered the Bob Marley classic Turn Your Lights Down Low, completely making it her own.  It was the kind of moment that defines what loving someone should be about.  She has the ability to make you feel like she is singing just to you.  For everyone.  She really is saying what girls are feeling, and what guys wish they could know to say in return.  Good stuff. 

With the sound of the ukulele kicking in, she introduced her band, let loose her island infused Tied Down, and really got the crowd into the mood.  With a brief parlay in the middle to pay homage to Bob Marley once again, this song proved to be my favorite of the night and a real crowd pleaser. 

In the end, the show exceeded all of my expectations.  She played guitar on Bubbly, as the crowd sang every word, and managed to make a Rolling Stones song incredibly sexy during her two song encore.  It is refreshing and exciting to experience a young artist who has a feel for the history of music and has so much to add herself.  She has tremendous substance in her work, and it was readily apparent on Wednesday night.  Overall, she seems to have all of the makings of a classic, with her first album the foundation for what we can expect for years to come. I wouldn’t call her a female Jack Johnson or even compare her to her female contemporaries.  She is both a throw-back to what has been great in the past, and a clear indication of what will be great in the future of female artists.  She is proving it is the little things that are setting her apart from the pack…

Lyle Lovett & His Large Band w/k.d. lang @ Greek Theatre, July 26

(originally posted on MySpace on October 6, 2007)

Lyle Lovett & His Large Band w/ k.d. lang @ Greek Theatre, July 26  

It has been a while, and I’ve had a few things to blog about.  I just haven’t taken the time.  Busy, busy, busy…

 (not that anyone is reading this anyway)

             My wife and I had an opportunity to see k.d. lang and Lyle Lovett & His Large Band at the Greek Theatre on July 26.  Now, this is not ordinarily a show I would pay to go see.  Not that I have anything against these two artists, but I’m not a country listener per se.  I have been known to enjoy a Merle Haggard, Ronny Milsap or even a Buck Owens now and then.  Oak Ridge Boys and Statler Brothers were also a staple in my youth, thanks to my parents.  I have found my favorites to be both Johnny Cash and Patsy Cline.  The kids today will have no idea who I am talking about (maybe Johnny Cash because of the movie), but suffice it to say I prefer older country over today’s offerings.  However, I do really enjoy Bluegrass, but will save that conversation for a later blog.  

            Where was I?  Oh, right….k.d. and Lyle.  So, I was fortunate enough to be offered free tickets for this show, and I’m not one to turn down a free night out.  It was Thursday night, which was a little discouraging, but my wife and I decided to go anyway.  We like to stay close to home during the week, but since we aren’t that old, we risked it.  If you have never been to the Greek Theatre in Los Angeles, you are missing out on a gorgeous venue.  It is outdoors, amphitheater style, set in the hills north west of downtown.  Being it was July; the evening was warm but not hot or uncomfortable.  Our seats were about eight or nine rows back from the pit seating.  Pretty close.  We got there early, and were fortunate enough to see a couple of celebrities (Fran Drescher, Penn Gillette).  Overall it was a nice night for an evening.

            k.d. lang, wearing an all white suit sans tie, came out on stage with very little fanfare.  I have only ever heard the one song they play on crossover radio stations, Constant Craving.  I can’t say that I love that song, but I can’t really say that I hate it either.  I’m familiar with it…but I digress.  k.d. doesn’t need a lot of fanfare apparently, as the crowd gave her a standing ovation when she walked out with her band.  It is always nice to have a warm reception, and she appreciated it.  

            I should probably preface this whole blog by saying the details are gonna be a little fuzzy.  It has been a few moons since I was actually at the concert, but I still felt compelled to write about it.  If there isn’t a whole lotta details, please forgive…

            k.d. lang has a fantastic sense of humor.  That much I do remember.  She was barefoot too.  She just seemed so at home on stage, and the night was so beautiful.  Ugh, I can’t for the life of me remember her song set, but let me tell you….she was absolutely fantastic!  She is a crooner, and I was shocked to find that out.  By the third song I was giddy that my wife and I took a chance and went to the show.  It was a pleasant surprise.  That chick can really sing, man.  Her voice, too, was flawless.  Seriously.  Every note was perfect.  Her set didn’t have any hints that you were listening to a stage performance and the sound wasn’t what you’d expect.  It was better.  She had so much emotion and power in each song; I didn’t want it to end.  Toward the end of her set, she got a little theatrical and brought out a chair, a table and a cigarette.  She was telling jokes, and telling a story.  Then she broke out into Patsy Cline’s Three Cigarettes in an Ashtray.  Uh, she killed it.  Brought down the H O U S E.  She gave me goose bumps on every song, but this song made me wanna crumble.  I’m telling ya, her voice is something else.  After her show, I am totally a fan.  She was the ultimate professional, the ultimate performer.  I know she is huge, but she should be bigger.  Talent and entertainment like hers are underrated by far.  Obviously I don’t have a bad thing to say, eh?  I am so impressed by her show that I find myself just kinda rambling about how much I enjoyed it.  I am too young to have seen Frank and the Rat Pack perform, but I love that kinda music.  This show had that kind of classic energy for me.  It wasn’t starched shirts, ridiculous hats and buckles Country music.  It was just good music.  I would go see k.d. lang again anytime….

            And so, it was Lyle Lovett’s turn.  My knowledge of Lyle Lovett, you ask?  Hmmm….That song from Toy Story and his brief marriage to Julia Roberts.  Ok, so I’m no expert.  I was intrigued, I must tell you, about the & His Large Band portion of the headline.  Really, how large could it be?  Was it large it numbers or was every member over six feet tall?  What kinda large are we talking about?  Turns out, the large refers to the number of members, which my wife and I counted at seventeen.  Ok, I agree.  His band is large.  We can move on.  

            The first song is essentially his band, with back up singers sans the man himself.  As with k.d.’s show, I wouldn’t necessarily call this Country music by today’s standards.  It has a feel to it, but not one that can be stereotyped as twangy voices and really really tight denim.  I actually thought the whole show had a party feel to it, not unlike Jimmy Buffett’s show.  It wasn’t the same drinking and doing nothing kinda thing, but just a having a good time with good music kinda thing.  Get it?  Anyway, the show was fantastic.  He is a really funny guy as well, and the in-between-songs banter was hilarious.  His voice, too, was pretty flawless.  For me, the performance was great.  I enjoyed the power and emotion of k.d.’s show more, but Lyle’s show is nothing short of fantastic.  My favorite of the evening from him was the three bluegrass songs, performed by him and only three others of his band.  The songs were funny and charming, and the bluegrass sound is more to my liking anyway.  Overall, it turned out to be a great night.  

            I learned a valuable lesson, too.  A live performance provides you with an opportunity to experience the real artist.  Great artists like k.d. and Lyle will leave you with a lasting memory.  I learned that it really was worth my while to get out of my comfort zone and go experience something different.

Part II ~ Ernie

(originally posted on MySpace on June 30, 2007)

            I wrote this blog in two parts to keep from having one insanely large post.  If you are just interested in reading what I have to say about Ernie Halter, without needing the left field musings as to why I feel the way I do, please continue reading.  If you have a little time on your hands and would like some insight as to why I ramble in such a way, please read the Part I – The Giants blog first, and then come back here.  Either way, I hope you enjoy…

             I had been anticipating Friday night for a week.  Not just that it was the end of the work week, but my wife and I and our close friend Jennifer were going to see Ernie perform in Los Angeles.  I am also now on vacation for a week, so I’ve had high expectations that seeing Ernie is a great way to jump start my time off from work.  Genghis Cohen is a Szechuan restaurant, with a music room on the side that seats about sixty or so people.  Berg, Eva Castillo and Kelley James were also on the bill.  Great, but we came for Ernie.  Weird little venue, but cool and cozy.  Berg opened with a one man acoustic set.  He is from the East Coast, but looks like a SoCal surfer.  His music is middle of the road good, singer/songwriter kinda stuff.  Jennifer really liked him, and the crowd seemed to be enjoying themselves.  His show stopper was fantastic, a cover of an Oasis song that really got the crowd started.  Eva Castillo followed; a one woman acoustic set.  She is cute, funny, very energetic and talkative.  And then she starts singing and watch out! Man, she can groove.  Distorted Vision was the best in my opinion, but every song really sounded great.  She is funky, and she really seems to enjoy herself onstage and that becomes infectious.  She absolutely tore up Etta James’ At Last, and the crowd went nuts.  I was a little worried when she said she was gonna perform that song, but she really pulled it out.  Great Stuff.  I hope to see her again soon. 

 Part II – Ernie

             I’m not even sure where to begin.  I mentioned that I was anticipating this for a week, right?  Ok, so now here it is.  Cozy little venue, crowd is going, acoustics are great for the room, and Ernie walks out with Aaron Bishop following.  The energy in the room jumps from buzzing to bursting.  He sets up, stands at the microphone and the crowd warmly welcomes him with hoots, hollars and clapping.  He mentions that he has had a bad day, and that he really appreciates the welcome.  Then, alone for now, he begins with Whisper.

            Now, let me digress for a moment.  I have been anticipating seeing this guy for a week, right?  Anticipation.  Expectations for something to really knock my socks off.  I’m ready to unload all of my frustrations from the week and have a great time.  I’ve eaten, I have my best friend (my wife) with me…I’m ready.  But for a very brief second I panicked when he said he had had a bad day.  Brief, but it was there.  I’ve seen this guy twice, the second time exceeding all of my expectations, but now what?  He’s had a bad day, what does that mean for me?  I know, I know…so selfish.  I’m sorry.  Remember, though, I said the feeling was brief.  Because he begins with Whisper…

            I know this song, know the lyrics.  I love this song.  I’m not trying to get my girl back, I’ve already got her.  But I love this song.  Friday night, Ernie is telling me how much he wants this girl.  He is telling God how much he wants this girl.  It feels like he is confessing to me that he knows something isn’t right in his world, but he wants to change that.  He is sharing a secret with me, as if my knowing will help God understand this mistake needs to be fixed.  The voice is honest and heartfelt.  The song is perfect.  And after the song is over he has the biggest smile I have ever seen, on his face.  In the span of five or so minutes, my day went from total expectation, complete panic and possible let down to being blown away.  I could have left after the first song and been thrilled I waited all week to see him.  To me, it’s as if he put all of his life and soul into making that first song, that first performance, the best it has ever been.  And it was.  The night far exceeded expectations.  With Aaron Bishop eventually joining Ernie onstage, the show really got rocking and the night was a total jam.  Such great fun.  Ernie has that quality that transcends that style of music he is playing.  His emotion, his voice, his delivery is so much bigger than just a guy standing on stage playing a guitar and singing.  He invites you in to what he is going through, and together the party rolls.  My favorite highlights…

 Aaron Bishop walking through the door with Ernie Halter.  Ernie is great alone, but the two onstage together add a new dimension, both musically and in between songs.  Aaron’s presence compliments Ernie’s overall performance, and sets the groove deep for you to fall in.  

 ”That’s right, Bish!” / “Look at me, Bish!” / “This is my Bish!” – Oh so hilarious.  

 Family Night At the Apollo – Mom and Dad sitting behind us…Mom is so adorable.  And a great singer and dancer.  It’s not a party until something gets broken…

Mona Lisa.  The story is fantastic; Ernie’s Mom sang the whole song.  She was as much fun to listen to as he was.  It felt like we were invited to a family party, Cubano style.  

Melissa never get’s old.  It is now a third time in a row I got chills at the end.  Food Network Dinner Impossible style, right?  lol

Freestyle with Kelley James.  The party is in full swing now…

Something’s Come Over Me…the last song (without the visuals, lol).

For those of you that read the blog Part I – The  Giants, the first song and last song in Ernie’s set are the reason I wrote it.  I immediately thought of Otis Redding the first time I heard Something’s Come Over Me.  No kidding.  I laughed when I saw that Ernie covered two of Otis’ songs.  Ernie’s music touches you the same way Otis’ does.  It is not a quality you can teach.  In fact, after meeting Ernie’s mom, I firmly believe the quality runs in the family.  I know now that I can expect to be moved every time I hear his music.  I can expect to be taken back to someplace I’ve been or taken to someplace I’d rather be.  The great ones are like that.  I know now what to expect, even if he has had a bad day.

Part I ~ The Giants

(originally posted on MySpace on June 30, 2007)

Ok, so I’ve thought about this blog entry for a bit, and I’m a little hesitant to get it started.  My wife and I and our close friend Jennifer drove out to Genghis Cohen last night to see Ernie Halter perform.  Such a great night, and I have SO MUCH to say.  His performance got me a little philosophical about good ole fashioned rock and roll soul….so this post may have to be in two parts.  First, a little history from my perspective…

 Part I – The Giants

There are two greats in the music industry that transcend all genres of music, and provide a blueprint for success for future artists; Sam Cooke and Otis Redding.  Now, don’t get me wrong.  I’m certainly not saying these two are the only giants of music, but they are definitely giants.  Ever hear a Sam or Otis song?  They are both gone, and their music isn’t as mainstream today as it should be or as it was.  However, the undeniable factor for each is their ability to stop a room and fill it with their work.  If you’ve ever enjoyed them, you know of what I speak.  You can’t just hear a song of theirs playing and not acknowledge who is singing.  At least I can’t.  It is because their voices and their music are so heartfelt and honest that it creates a memory every time you hear it.  It creates a memory, it brings back a memory, it takes you someplace you were or reminds you of a place you’d rather be.  Listen to Sam Cooke’s You Send Me, Cupid or Twistin’ the Night Away.  I believe these were his biggest hits, and for good reason.  Each song puts you in a great mood almost immediately.  The rhythm, the voice, the lyrics…all good stuff.  And cool for everyone.  Who hasn’t been in love before or who doesn’t just want to twist the night away?  Honest sentiments from an incredible voice that touches you every single time.  At least to me.

And Otis Redding.  I think the younger crowd might know Otis by one of two songs (or of course both) – Try a Little Tenderness and Sitting on the Dock of the Bay.  Both songs are timeless, classics and absolutely incredible.  Tenderness builds and builds the emotion, giving us a hint of the pain and love and soul about to unload.  And then it does, in a whirlwind of horns, drums, guitars, keyboards and that unmistakable ingredient that makes the whole dish your favorite, his voice.  His voice fills all of your senses, making your heart beat a little faster, your mind relax completely and your body shake and groove with each beat.  You don’t care about anything else but being as close to the music as you can.  Otis was soul, was rock, was love.  And my favorite opportunity to hear the emotion, to really experience every ache and pain of what it is like to feel something deep inside you is in These Arms of Mine.  Each time I hear it I feel like I’m eavesdropping on a private confession; like I’m not really supposed to be hearing what I’m hearing.  But I am, because Otis made this gem for everyone to enjoy.  He poured his heart out on this record for all of us to share with him the joy and pain of life and love.  Good and bad.  It makes us feel like he really wants to share his life with ours, and it makes us feel good.  And it makes the world a better place…